※원본출처 : IMSLP, List of works by Luigi Boccherini

 Cello and Basso (probably a 2nd Cello) or 2 Cellos

The Sonatas are not mentioned in Boccherini's autograph catalogue and can not be dated precisely, but most of them are probably authentic early works (until c.1770). The basso part is not ciphered and probably intended for a second string instrument (e.g. a second cello).

Viola (or Cello) and Basso

Violin and Basso (probably Cello)

  • G.20, arrangement of the 6 Cello Sonatas G.13, 6, 5, 10, 1 and 4 for violin solo (and basso); published by La Chevardière (Paris) c.1775
  • G.570, Sonata, in E♭ major, for violin solo (and basso) (perhaps an arrangement of a lost Cello Sonata)

Harpsichord or Piano

All works for Harpsichord or Pianoforte solo are arrangements or doubtful works.

  • G.21, Sinfonia, in E♭ major, for pianoforte (probably not by Boccherini)
  • G.22, Sonata, in E♭ major, for harpsichord (= harpsichord part of G.30)
  • G.23, 6 Sonatas for harpsichord or pianoforte (= harpsichord or pianoforte part of G.143-148)
  • G.24, 6 Sonatas for harpsichord solo (and violin ad lib.) (arrangement of G.95-100)

Keyboard and Violin

Only G.25-30 are authentic works by Boccherini; G.34-55 are arrangements

2 Violins

2 Bassoons (or 2 Cellos)

  • G.73, 6 Fugues for 2 bassoons or cellos, in C major, F major, B♭ major, E♭ major, A major, E major (authorship doubtful)

2 Harpsichords

  • G.76, Quatuors (6) transcrits pour 2 clavecins (transcription des 6 Quatuors, Opus 26, G 195-200 - anonyme)

Trios for 2 Violins and Cello or Violin, Viola and Cello

Other works for 3 Instruments

All these works are doubtful or arrangements (G.143-148 might, however, be original works by Boccherini)

  • G.154, 3 Sonatas for Piano, Violin and Viola, in C minor, E♭ major, D major (arrangement of G.377, 369, 365, by Hérold); published by Pleyel (Paris 1799)
  • G.155, 3 Trios for Flute, Violin and Cello (arrangements); published by Boyer-Naderman (Paris c.1795; lost)
  • G.156, 3 Trios for Flute, Violin and Cello (arrangements); published by Boyer-Naderman (Paris c.1795; lost)
  • G.157-158, 2 Trios for 2 Flutes and Basso, in C major, D major (anonymous arrangement of G.84 and 87)

Quartets for 2 Violins, Viola, Cello

Other Works for 4 Instruments

All these works are doubtful or arrangements

  • G.259, 6 Quartets for harpsichord, Violin, Viola and Cello (arrangement of G.195-200)
  • G.260, 3 Quartets, in D major, G major, D minor, for Flute, Violin, Viola and Cello (arrangement of G.369, 363, 368, by Pleyel or Cambini); published by Pleyel (Paris 1798, as "œuvre 5 pour flûte")
  • G.261, 6 Quartets for Flute, Violin, Viola and Cello (according to Picquot arrangement of early sting quartets, published by Boyer-Naderman; lost)
  • G.262, 3 Quartets, in C major, F major, C major, for Clarinet, Flute, Horn and Bassoon (arrangement of movements from G.203, 204, 206, 213, 214, 223, 232, 235, by Othon Van den Broek); published by Pleyel (Paris 1812)
  • G.263, 3 Quartets, in E♭ major, F major, B♭ major, for Clarinet, Flute, Horn and Bassoon Quatuor (arrangement of G.160, 169 and movements from G.163, 167, 170, by Othon van den Broek); published by Hentz Jouve (Paris c.1823)
  • G.264, 3 Quartets, F major, C major, D minor, for Clarinet, Flute, Horn and Bassoon (according to title page arrangements by Othon van den Broek of works by Boccherini, but they do not correspond to any of his known works); published by Bouillon (Paris c.1825)

Quintets for 2 Violins, Viola, 2 Cellos

Quintets for 2 Violins, Viola, Cello and Double bass

 

Quintets for 2 Violins, 2 Violas, and Cello

G.391-402 are original compsitions by Boccherini; G.379-390 and 406 are arrangements (probably by the composer); G.403-405 are anonymous arrangements of Quintets with 2 Cellos

  • G.379, Quintet No.1, in E minor, for 2 Violins, 2 Violas and Cello (arrangement of Piano Quintet G.407)
  • G.380, Quintet No.2, in F major, for 2 Violins, 2 Violas and Cello (arrangement of Piano Quintet G.408)
  • G.381, Quintet No.3, in E♭ major, for 2 Violins, 2 Violas and Cello (arrangement of Piano Quintet G.410)
  • G.382, Quintet No.4, in A major, for 2 Violins, 2 Violas and Cello (arrangement of Piano Quintet G.412)
  • G.383, Quintet No.5, in D major, for 2 Violins, 2 Violas and Cello (arrangement of Piano Quintet G.411)
  • G.384, Quintet No.6, in C major, for 2 Violins, 2 Violas and Cello (arrangement of Piano Quintet G.409)
  • G.385, Quintet No.7, in D minor, for 2 Violins, 2 Violas and Cello (arrangement of Piano Quintet G.416, with additional minuet, which is also found in the version for guitar quintet)
  • G.386, Quintet No.8, in E major, for 2 Violins, 2 Violas and Cello (arrangement of Piano Quintet G.417, with additional Allegretto taken from G.97, which is also found in the version for quitar quintet)
  • G.387, Quintet No.9, in B♭ major, for 2 Violins, 2 Violas and Cello (arrangement of Piano Quintet G.414)
  • G.388, Quintet No.10, in A major, for 2 Violins, 2 Violas and Cello (arrangement of Piano Quintet G.413)
  • G.389, Quintet No.11, in E minor, for 2 Violins, 2 Violas and Cello (arrangement of Piano Quintet G.415)
  • G.390, Quintet No.12, in C major, for 2 Violins, 2 Violas and Cello (arrangement of Piano Quintet G.418)
  • G.391, Op.60/1 1801 Quintet No.13, in C major, for 2 Violins, 2 Violas and Cello
  • G.392, Op.60/2 1801 Quintet No.14, in B♭ major, for 2 Violins, 2 Violas and Cello
  • G.393, Op.60/3 1801 Quintet No.15, in A major, for 2 Violins, 2 Violas and Cello
  • G.394, Op.60/4 1801 Quintet No.16, in E♭ major, for 2 Violins, 2 Violas and Cello (lost)
  • G.395, Op.60/5 1801 Quintet No.17, in G major, for 2 Violins, 2 Violas and Cello
  • G.396, Op.60/6 1801 Quintet No.18, in F major, for 2 Violins, 2 Violas and Cello
  • G.397, Op.62/1 1802 Quintet No.19, in C major, for 2 Violins, 2 Violas and Cello
  • G.398, Op.62/2 1802 Quintet No.20, in E♭ major, for 2 Violins, 2 Violas and Cello
  • G.399, Op.62/3 1802 Quintet No.21, in F major, for 2 Violins, 2 Violas and Cello
  • G.400, Op.62/4 1802 Quintet No.22, in B♭ major, for 2 Violins, 2 Violas and Cello
  • G.401, Op.62/5 1802 Quintet No.23, in D major, for 2 Violins, 2 Violas and Cello
  • G.402, Op.62/6 1802 Quintet No.24, in E♭ major, for 2 Violins, 2 Violas and Cello
  • G.403, 6 Quintets, in A major, E♭ major, C minor, C major, E♭ major, D major, for 2 Violins, 2 Violas and Cello (anonymous arrangement of G.265-270)
  • G.404, 6 Quintets, in B♭ major, A major, C major, F minor, E major, D major, for 2 Violins, 2 Violas and Cello (anonymous arrangement of G.271-276)
  • G.405, 6 Quintets, in C minor, D major, E♭ major, C major, D minor, E major, for 2 Violins, 2 Violas and Cello (anonymous arrangement of G.283-288)
  • G.406, Quintet, in E♭ major, for 2 Violins, 2 Violas and Cello (arrangement of G.99, according to Picquot by Boccherini; lost)

Quintets for Piano, 2 Violins, Viola and Cello

  • G.407, Op.56/1 1797 Quintet No.1, in E minor, for Piano, 2 Violins, Viola and Cello
  • G.408, Op.56/2 1797 Quintet No.2, in F major, for Piano, 2 Violins, Viola and Cello
  • G.409, Op.56/3 1797 Quintet No.3, in D major, for Piano, 2 Violins, Viola and Cello
  • G.410, Op.56/4 1797 Quintet No.4, in E♭ major, for Piano, 2 Violins, Viola and Cello
  • G.411, Op.56/5 1797 Quintet No.5, in D major, for Piano, 2 Violins, Viola and Cello (includes as fourth movement Variations on a theme from G.237)
  • G.412, Op.56/6 1797 Quintet No.6, in A minor, for Piano, 2 Violins, Viola and Cello
  • G.413, Op.57/1 1799 Quintet No.7, in A major, for Piano, 2 Violins, Viola and Cello
  • G.414, Op.57/2 1799 Quintet No.8, in B♭ major, for Piano, 2 Violins, Viola and Cello
  • G.415, Op.57/3 1799 Quintet No.9, in E minor, for Piano, 2 Violins, Viola and Cello
  • G.416, Op.57/4 1799 Quintet No.10, in D minor, for Piano, 2 Violins, Viola and Cello
  • G.417, Op.57/5 1799 Quintet No.11, in E major, for Piano, 2 Violins, Viola and Cello
  • G.418, Op.57/6 1799 Quintet No.12, in C major, for Piano, 2 Violins, Viola and Cello (includes as third movement Variations on the "Ritirata" from G.324)

Quintets for Flute or Oboe, 2 Violins, Viola, and Cello

Quintets for Guitar, 2 Violins, Viola, and Cello

  • G.445, 1798 Quintet No.1, in D minor, for Guitar, 2 Violins, Viola and Cello (version of Piano Quintet G.416 with an additional Minuet found also in the arrangement for String Quintet, G.385)
  • G.446, 1798 Quintet No.2, in E major, for Guitar, 2 Violins, Viola and Cello (version of Piano Quintet G.417 with an additional Allegretto from G.97 found also in the arrangement for String Quintet, G.386)
  • G.447, 1798 Quintet No.3, in B♭ major, for Guitar, 2 Violins, Viola and Cello (version of Piano Quintet G.414)
  • G.448, 1798 Quintet No.4, in D major, for Guitar, 2 Violins, Viola and Cello (arrangement of movements from G.270 and 341, including the famous Fandango)
  • G.449, 1798 Quintet No.5, in D major, for Guitar, 2 Violins, Viola and Cello (arrangement of movements from G.232, 237 and 411)
  • G.450, 1798 Quintet No.6, in G major, for Guitar, 2 Violins, Viola and Cello (arrangement of G.240 and 431)
  • G.451, 1799 Quintet No.7, in E minor, for Guitar, 2 Violins, Viola and Cello (arrangement of Piano Quintet G.407)
  • G.452, 1799 4 Quintets (No.8, 10, 11, 12), in G major, E♭ major, D major, A minor, for Guitar, 2 Violins, Viola and Cello (arrangement of Piano Quintets G.408, 410, 411, 412; lost)
  • G.453, 1799 Quintet No.9, in C major, for Guitar, 2 Violins, Viola and Cello (arrangement of Piano Quintet G.409, with addition of Variations on the "Ritirata" of G.324 found also in the Piano Quintet G.418)

Sextets for 2 Violins, 2 Violas, 2 Cellos

Sextets or Divertimenti for Flute and Strings

Sextets and Octets for wind and string instruments

  • G.467, Op.38/1 1787 Sextet or Divertimento Notturno No.1, in E♭ major, for Violin, Viola, Bassoon, Flute or Oboe, Horn and Double bass
  • G.468, Op.38/2 1787 Sextet or Divertimento Notturno No.2, in E♭ major (lost)
  • G.469, Op.38/3 1787 Sextet or Divertimento Notturno No.3, in E♭ major (lost)
  • G.470, Op.38/4 1787 Octet or Divertimento Notturno No.4, in G major, for 2 Violins, Viola, 2 Cellos, Flute or Oboe, Horn and Bassoon
  • G.471, Op.38/5 1787 Sextet or Divertimento Notturno No.5, in E♭ major, for 2 Violins, Viola, 2 Cellos and French Horn
  • G.472, Op.38/6 1787 Sextet No.6, in B♭ major, for 2 Violins, Viola, Cello, Oboe and Bassoon
  • G.473, Op.42 1789 Octet or Nocturno, in C minor (lost)

Cello Concertos

Although not mentioned in Boccherini's autograph catalogue, most of the Cello concertos are probably authentic early works (until c.1770; G.483 may have been composed c.1780)

  • G.483, Concerto No.10, in D major, for Cello and Orchestra (2 Violins "di concerto", 2 Violins "ripieni", Violas, Basses, 2 Oboes, 2 Horns); published by Artaria (Wien 1785; as Op.34)
  • G.484, Concertino, in D major, for Cello and Piano (or orchestra) (modern arrangement of movements from Trios G.81 and G.102)
  • G.573, Concerto No.11, C major, for Cello and Orchestra
  • G deest, Concerto No.12, in E flat major, for Cello and Orchestra

Violin Concertos

  • G.485, Concerto, in G major, for Violin and Orchestra (2 Violins, Violas, Basses) (probably not by Boccherini)
  • G.486, Concerto, in D major, for Violin and Orchestra (2 Violins, Violas, Basses) (authorship doubtful)
  • G.574, Concerto, in F major, for Violin and Orchestra (possibly authentic; Violin part missing)

Harpsichord Concertos

Flute Concertos

  • G.489, Concerto, in D major, for Flute and Orchestra (composed by Franz Xaver Pokorny, mistakenly attributed to Boccherini)
  • G.575, Concerto, in D major, for Flute and Orchestra (authorship doubtful)

Small Orchestra

  • G.490, Symphonie, en ré majeur, pour petit orchestre (2 violons, alto, basse, avec 2 hautbois et 2 cors ad lib)
  • G.491, Op.7 1769 Concerto, en do majeur, pour 2 violons concertants et petit orchestre (2 violons, alto, violoncelle, basse, 2 hautbois, basson)
  • G.492, Op.16 1773 Divertimenti (6) pour flûte, 2 violons, alto, 2 violoncelles, basse ad lib
  • G.493, Op.21/1 1775 Symphonie # 1, en si bémol majeur, pour petit orchestre (2 violons, alto, basse, 2 flûtes/hautbois, 2 cors)
  • G.494, Op.21/2 1775 Symphonie # 2, en mi bémol majeur, pour petit orchestre (2 violons, alto, basse, 2 flûtes/hautbois, 2 cors)
  • G.495, Op.21/3 1775 Symphonie # 3, en do majeur, pour petit orchestre (2 violons, alto, basse, 2 flûtes/hautbois, 2 cors)
  • G.496, Op.21/4 1775 Symphoni # 4, en ré majeur, pour petit orchestre (2 violons, alto, basse, 2 flûtes/hautbois, 2 cors)
  • G.497, Op.21/5 1775 Symphonie # 5, en si bémol majeur, pour petit orchestre (2 violons, alto, basse, 2 flûtes/hautbois, 2 cors)
  • G.498, Op.21/6 1775 Symphonie # 6, en la majeur, pour petit orchestre (2 violons, alto, basse, 2 flûtes/hautbois, 2 cors)
  • G.499, Op.38/4 1787 Symphonie concertante, en sol majeur, pour petit orchestre (2 violons, alto, 2 violoncelles, flûte/hautbois, cor, basson)
  • G.500, Symphonie, en ré majeur, pour petit orchestre (2 violons, alto, basse avec 2 cors de chasse ad lib)
  • G.501, Sérénade, en ré majeur, pour petit orchestre (2 violons, basse, 2 hautbois, 2 cors)
  • G.502, Menuets (2) pour petit orchestre (2 violons, alto, basse, 2 hautbois, 2 cors)
  • G.502-1, Menuet # 1, en do majeur, pour petit orchestre (2 violons, alto, basse, 2 flûtes/hautbois, 2 cors)
  • G.502-2, Menuet # 2, en mi bémol majeur, pour orchestre (2 violons, alto, basse, 2 flûtes/hautbois, 2 cors)

Orchestra

G.521, Symphony in D major]].

Ballets, Théâtre, Dances

  • G.524, 1778 Cefalo e Procri (ballet-pantomime eroico-tragico)
(perdu - interlude entre les actes I et II pour l'opéra Scipione de Giuseppe Sarti)
  • G.525, Op.41 1788 Suite de 10 menuets pour la danse, pour orchestre (2 violons, alto, violoncelle, 2 hautbois, 2 cors, basson)
  • G.526, 1773 Ballet espagnol, en si bémol majeur, pour orchestre (2 violons, alto, basse, 2 flûtes, 2 hautbois, 2 cors, basson, 2 guitares)
  • G.527, La Buona Figliola (ouverture, en ré majeur, pour orchestre)

Masses

  • G.528, Op.59 1800 Messe pour choeur à quatre voix mixtes et instruments obligés (perdu)
  • G.529, 1764/6? Kyrie - pour choeur à 4 voix mixtes avec orchestre
  • G.530, 1764/6? Gloria - pour solistes (STB) et choeur à 4 voix mixtes avec orchestre
  • G.531, 1764/6? Credo - pour solistes (SATB) et choeur à 4 voix mixtes avec orchestre

Motets and Psalms

 

Cantatas

  • G.535, Op.63 Cantate de Noël - pour quatre solistes, chœur avec instruments

(perdu)

  • G.536, Sciogliam le nostre voci in armonioso canto - cantate pour la fête de St. Louis, pour quatre solistes avec orchestre

Oratorios

  • G.537, 1765? Gios, Re di Giudea - oratorio, en 2 parties, pour solistes (SSATTB) et choeur à 4 voix avec orchestre (2 violons, 2 altos, basse, 2 flûtes, 2 hautbois, 2 cors)
  • G.538, 1765? Il Giuseppe Riconosciuto - oratorio, en 2 parties, pour solistes (SSATTB) et chœur à 4 voix avec orchestre (2 violons, alto, basse, flûte, 2 hautbois, 2 cors)

Villancicos

  • G.539, 1783? Villancicos (8) al Nacimiento de Nuestro Senor Jesu Christo

pour solistes et choeur à 4 voix mixtes avec orchestre (violons, alto, violoncelle et contrebasse)

Operas

  • G.540, 1786 La Clementina - opéra (zarzuela) en 2 actes pour solistes (SSSSTB) avec orchestre
  • G.541, 1798 Ines de Castro - scènes pour soprano avec orchestre (2 violons, alto, violoncelle, contrebasse, 2 hautbois, 2 cors et basson)
  • G.542, 1770? Aria - pour soprano avec accompagnement de violoncelle solo (? air composé pour l'opéra L'Almeria de Juan Francisco de Majo)

Cantata

  • G.543, 1765 La Confederazione dei Sabini con Roma - cantate, en 2 parties, pour solistes (STTTB) et choeur à 4 voix avec orchestre (2 violons, cello, violoncelle, contrebasse, 2 hautbois, 2 cors, et 2 trompettes)

Concert Arias

  • G.544, Si veramente io deggio… Ah non lasciarmi, no, bel idol mio - récitatif pour soprano et ténor et air de concert, en mi bémol majeur, pour soprano avec orchestre (2 violons, alto et basse)
  • G.545, Se non ti moro allato idolo del cor mio - air de concert, en si bémol majeur, pour soprano/ténor avec orchestre (2 violons, alto et basse)
  • G.546, Deh respirar lasciatemi - air de concert, en sol mineur, pour soprano/ténor avec orchestre (2 violons, alto et basse)
  • G.547, Caro, son tua cosi che per virtu d'amor

air de concert, en la majeur, pour soprano avec orchestre (2 violons, alto, basse et hautbois)

  • G.548, Misera dove son… Ah no son io che parlo - récitatif et air de concert, en ré mineur, pour soprano avec orchestre (2 violons, alto, basse, hautbois et 2 cors)
  • G.549, Care luci che regnate sugl'affetti del mio cor - air de concert, en ré majeur, pour soprano/ténor avec orchestre (2 violons, alto, basse, hautbois et 2 cors)
  • G.550, Infelice in van mi lagno qual dolente tortorella - air de concert, en mi bémol majeur, pour soprano avec orchestre (2 violons, alto, basse, hautbois et 2 cors)
  • G.551, Numi, se giusti siete, rendente - air de concert, en sol majeur, pour soprano avec orchestre (2 violons, alto, basse, hautbois et basson)
  • G.552, Caro Padre, a me non dei - air de concert, en do majeur, pour soprano avec orchestre (2 violons, alto, basse, hautbois et 2 cors)
  • G.553, Ah che nel dirti addio mi sento il cor dividere - air de concert, en fa majeur, pour soprano avec orchestre (2 violons, alto, basse, hautbois et 2 cors)
  • G.554, Di Giudice severo… Per quel paterno amplesso - récitatif pour trois voix et air de concert, en la majeur, pour soprano/ténor avec orchestre (2 violons, alto, basse, et hautbois solo)
  • G.555, Tu di saper procura - air de concert, en si bémol majeur, pour soprano avec orchestre (2 violons, alto, basse, hautbois et 2 cors)
  • G.556, Mi dona, mi rende quell'alma pietosa - air de concert, en mi majeur, pour soprano avec orchestre (2 violons, alto, basse, et 2 flûtes)
  • G.557, Se d'un amor tiranno, credei di trionfar - air de concert, en si bémol majeur, pour soprano avec orchestre (2 violons, alto, violoncelle obligé, 2 hautbois, et 2 cors)
  • G.558, Tornate sereni - air de concert, en mi bémol majeur, pour soprano/ténor avec orchestre (2 violons, alto, basse, et 2 flûtes)
  • G.559, La destra ti chiedo mio dolce

duo de concert, en mi bémol majeur, pour soprano et ténor avec orchestre (2 violons, alto, basse, 2 hautbois et 2 cors)

  • G.560, In 'sto giorno d'allegro - duo, en fa majeur, pour 2 voix avec instruments de basse ... (fa majeur)
  • G.561, Ah, che nel dirti addio - duettino, en mi bémol majeur, pour 2 contraltos avec instruments de basse


반응형
저작자표시 비영리 변경금지

'Review > music' 카테고리의 다른 글

Ain't It Fun, Paramore  (0) 2014.09.09
Beethoven, Piano Trio In B-flat Major, Op.97, "Archduke"  (0) 2014.09.02
Various / Super Hits  (1) 2013.08.23
STRAUSS, R. Metamorphosen  (0) 2013.07.18

+ Recent posts

티스토리툴바